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sformation
had already taken root as early as 2011, and had been underway probably
much earlier. Glance, for a moment, at the directors who made these
films — Imtiaz Ali, Gauri Shinde, Maneesh Sharma, Rohit Shetty, Rahul
Dholakia and Aanand L. Rai. Where’s Karan Johar, Aditya Chopra, Farah
Khan and Sanjay Leela Bhansali? All the top names are missing from that
list. Of these, Chennai Express was arguably a low point, but it somehow
dawdled its way to success. The point is that this is an actor who is
aware of the gauzy nostalgia he produces in the ’90s generation and the
smart ‘baniya’ in SRK senses that, at 53, the audiences are now ready to
see his son Aryan over him any day. A serious reinvention is the only
answer.
Will Zero be the elusive hit that SRK’s been so craving for? Big success
has eluded him. All the Khans, even the minor one like Saif, have
reassembled their careers skillfully. Faced with Aamir Khan’s
calculated, smart strategies and Salman Khan’s steady stream of
blockbusters, Shah Rukh Khan has been mocked for his modest box-office
achievements. If the initial media response to Zero’s trailer is
anything to go by, it may be the culmination of his reinvention that
began more than a few years ago — or possibly, the beginning of another
long struggle of trial and error. But SRK’s not going away anytime soon.
Neither are the audiences who will be more than happy to indulge his
screen experimentations.
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